If you've followed my work at all, you know I love when I get to be the set photographer for film projects, no matter how big or how small. There's something very magical and unifying about working with a film crew, and inevitably the people you work with become an extension of your ever-growing film family. That's why the 24 hour film race is something I look forward to every year, and last year's was by far our best one yet.
If you aren't familiar with how a film race works, the concept is this: write, shoot and edit a film with several requirements (a specific line of dialogue, a chosen prop, and a theme) that are announced at the start of the competition. Given that all this would normally take weeks or months to complete, it's quite the ambitious undertaking. Despite the rigorous schedule, it's always fun and inspiring, and often brings out the best of our creative abilities.
We may be exhausted at the end of it all, but it's the most fun I've ever had intentionally working myself to the bone and combating the sleep that threatens to invade. Many cups of coffee and red bulls later, I never cease to be amazed by what we've pulled off and how we've managed to bring it all together, and I think that's why I love it so much. Sometimes you need to do the work for the love of it and nothing else, and being able to focus on creating beautiful imagery without working through client concerns or deadlines or bottom lines is a much needed rejuvenating process as an artist.